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33550 •‚¢ŠGl–¼Ž«“T‹yŒ»‘ã”ʼnæ‰Æ–¼ŠÓ ´… Ÿ ”üp‹äŠy•” º29 2,700

37522 Îˆä’ߎO‘f•`W ‘S‚Q‚S“à‚T}Œ‡ Îˆä’ߎO Œõ‘åŽÐ º5 6,480

39291 PIETRO CONSAGRA@@@ˆÉ•¶ ARNOLDO ‚P‚X‚W‚X”N 5,400

39323 “º”ʼnæ‚Æ‚»‚̍ì‰Æ@‰p•¶@ETCHING & ETCHERS Hamerton@ ‚P‚W‚X‚Q”N 27,000

39368 ”ʼn於ŠÓ@‚Q@@Bunter Graphik Almanach II@@@@“Æ•¶ º47 3,780

39559 ƒWƒ‡[ƒWEƒV[ƒKƒ‹@GEORGE SEGAL@‰p•¶ Abbeville ‚P‚X‚W‚R”N 4,100

39901 }‰æu‹` ŽRŒû‘å‘ uq ‘ˆî“c‘åŠw 19,440

39915 ‘ ‰¤“Œ‚Ì‚«‚Ú‚±@@”ʼnæ‚Ɖðà ›–ìVˆê –¢—ˆŽÐ º45 2,160

39939 ’n‹·‚Ì’¬‚ɂā@–¼—ŽŠ¼“ü –ì˜C–M’¨ ‰«ÏŽÉ º50 16,200

39947 “º”Å‘]‰ä•¨Œê@\“ñ}@˜a–{@ ‚U~‚P‚O‚ƒ‚ 2,700

39948 ”ʼnæ‚Ì—ðŽj‚ƃRƒŒƒNƒVƒ‡ƒ“ ‹v•Û’原˜YŠÄ ƒA[ƒgƒ‰ƒCƒt º49 3,240

41642 ƒƒcƒ‰[@’¤ì•iW@@ˆÉ•¶ÊÊ ‚P‚X‚X‚V”N@ 2,160

41647 ƒ†[ƒSƒXƒ‰ƒ”ƒBƒA‚ÌŒ»‘ã”ʼnæ@Contemporary Yugoslav Graphic Art ‰p•¶ ‚P‚X‚U‚S”N 5,400

44292 ’r“c–žŽõ•v@‘S”ʼnæì•iW “º”ʼnæ‚P“_“ü ”üpo”ÅŽÐ º47 7,560

45197 ƒAƒ‹ƒ}ƒ“ ARMAN ESTAMPES •§•¶ ‚P‚X‚X‚O”N 10,580

45494 ƒwƒ“ƒŠ[Eƒ€[ƒA@@HENRY MOORE@Catalogue of Graphic Work 1931-1972@@‰p•¶ 19,440

47707 ’©–¶@ã‰º@@@@@@‘S‚Qû ‘¾“cŽO˜Y ¸”ü“° –¾45 27,000

47983 •¶Žš‚©‚«lŒ`@”ʼnæW “¿–ì‰Kˆê˜Y •½5 12,960

48191 ìãŸ¶@­XÌ”¶ ìãŸ¶ ”Åá`‘‘ º11 41,040

48366 “ú–{ŒÃ‘Žj ’©‘q‹TŽO •¶‰»}‘ º59 3,880

48713 ”ʼnæ‚ðì‚él‚Ö ‰i£‹`˜Y “ú–{”üp›{‰@ ‘å11 12,960

17218 ¬ˆé—Ç•½Î”ʼnæì•iW ¡ò“Ä’j‰ðà ƒEƒƒ_ƒA[ƒg º58 5,400

18044 ”ü‚킵‚«–쐫@ƒS-ƒKƒ“‚ÌŽ„‹L Ž®ê—²ŽO˜Y V’ªŽÐ º28 2,160

18461 ’r“c–žŽõ•v@‚a‚n‚n‚j ‚v‚n‚q‚j ’r“c–žŽõ•v Œ`ÛŽÐ º53 4,320

18561 44modern japanese print artists gaston petit u’kŽÐ º48 5,400

20114 ŽR–{”ü’q‘ãEˆóü‰æW@‹â“t‹à ‘O‰qŽÐ º45 4,320

20543 “ú–{Î””ʼnæ‚ÌŽv‚¢o –쑺œA‘¾˜Y•Ò •½4 4,100

21183 ‰l‹ã‰æW ‹v•Û’原˜Y•Ò “¯‰æWŠ§s‰ï º46 8,640

21230 Ä“¡´@–Ø”Å‰æ uŠçv âV“¡´ 48,600

21231 –Ø‘º–Î ƒGƒbƒ`ƒ“ƒO X‚Ì•—Œi –Ø‘º–Î 27,000

22091 –~Î”ʼn撟@‚T‚O} 37,800

22638 ’r“c–žŽõ•v‘S”Å‰æ ”üpo”ÅŽÐ •½3 7,560

23040 ”ʼnæW@‘O“c“¡Žl˜Y –Ø‘ºdM‘¼‰ð ‹ž“s‘‰@ º53 4,320

23247 ’¤@@Sculpture@@@@@@@“Æ•¶ 2,700

23323 ˆóÛ”h‚̔ʼnæW@•§•¶@les gravures des impressionnistes 19,440

23517 ‘½“c”ü”g@@@@‹Þ’提–¼“ü ‘½“c”ü”g •½–}ŽÐ •½2 5,400

23573 ’è–{@‹´ŒûŒÜ—t@‘吳‚̏— ƒm[ƒxƒ‹‘–[ º52 8,640

23727 “•ûŽuŒ÷”‰æ@–Ñ•M–¼“ü –ö@‰xŠÄC ’}–€‘–[ º33 25,000

23734 ƒ|[ƒcƒ}ƒX`@ŒÃ’n} 70~59‚ƒ‚ 41,040

24127 The Sculpture and Drawings of@ELIE NADELMAN 4,320

24133 Jacques LIPCHITZ@@@‰p•¶ 7,020

24284 ŽW ”~@@‰¶’nFŽl˜Y‘•’š ˆäãN•¶ •yŠx–{ŽÐ º22 21,600

24286 ŽW –³ˆ×‚̐݌v@‰¶’nFŽl˜Y‘•’š ì˜H–ö“ø •yŠx–{ŽÐ º22 23,760

24290 ã–쐽–ؔʼnæ@u—Ž‚¿‚½UŽqv ‚S‚W.‚T~‚R‚R‚ƒ‚ º37 54,000

24359 ƒAƒ“ƒgƒj[EƒNƒ‰[ƒ”ƒF”ʼnæì•iW ”ʼnæì•iW ”üpo”ŎЁ@ º54 17,280

24521 ‰Ô’¹”ʼnæ@”üpïW‘æ‚RŠª ‹e’n’å•v ƒtƒWƒA[ƒgo”Å º48 4,860

24544 ƒE[ƒWƒF[ƒkEƒhƒ‰ƒNƒƒAwƒnƒ€ƒŒƒbƒgx “y•û’èˆê‘¼ŠÄ Œ`ÛŽÐ º55 4,860

24936 ”‰æ@“ú–{‚Ì”ü “•ûŽuŒ÷ 4,320

25244 ŠáEŒv‰æŽÒEƒ|@•l“c’m–¾‘•‰æ ’†‘º‰p—Ç [–é‘p‘ŽÐ º50 3,020

25271 Ž„Ž©g‚̃AƒƒŠƒJ@ ’r“c–žŽõ•v ’©“úV•·ŽÐ º49 120,000

25453 “ú–{“º”ʼnæŽu@@@@@@”Ÿ“ü ¼‘º’å ‘S‘‘–[ º46 4,320

25726 ƒoƒbƒ^‚Ì“NŠwƒAƒtƒHƒŠƒYƒ€ –kì–¯ŽŸ UNAC º48 43,200

25756 ‚r‚t‚f‚`‚h›ˆä‹‚ ƒXƒyƒCƒ“Œê ƒ‰ƒ“ƒx[ƒ‹ •½3 6,480

25859 •½–ì—É‘f•`W º47 14,040

26183 “•ûŽuŒ÷”‰æ‘åò “•ûŽuŒ÷ u’kŽÐ º44 7,020

26315 ŠÖ–쏀ˆê˜Y‰æW º51 27,000

27189 ‹TˆäŒº•º‰qŽ©‘I‰æW ‹TˆäŒº•º‰q “¯Š§s‰ï º49 7,560

27262 t‰ÄH“~@•x“cŸâå –ؔʼnæ‚Q–‡ ‚“‡‰® º3 10,800

27328 Ž‰æW@MIXED FRUIT@ ’r“c–žŽõ•v “ì“VŽq‰æ˜L º51 2,160

27640 ”ʼnæ‚Ì—ðŽj‚ƃRƒŒƒNƒVƒ‡ƒ“ ‹v•Û’原˜YŠÄ ŽOÊŽÐ º51 2,160

27710 ’·’JìŒ‰”ʼnæì•iW@ˆ¤‘ ”Å ”üpo”ÅŽÐ º56 70,000

27831 ‹ž“s‘å’Êԑa…ü˜H”V}¦ Î“c—L”N “º”ōʐF –¾25 41,040

28117 A History of Engraving and Etching from the 15th Century to the Year 1914 Arthur M. Hind Dover Pubns 2,160

28211 AMERICAN BIRD ENGRAVINGS Alexander Wilson Dover Publications Inc 2,700

28684 ”ʼnæ‚̐t ¬–ì’‰d Œ`ÛŽÐ º53 4,320

28967 ƒ^ƒCƒ‰[EƒOƒ‰ƒtƒBƒbƒNƒX@ƒJƒ^ƒƒOEƒŒƒ]ƒl‚P‚X‚V‚S[‚P‚X‚W‚T ”üpo”ÅŽÐ •½3 14,040

29012 \l‚̔ʼnæ‰Æ ì‡ºŽO ‰Ío‘–[VŽÐ º51 2,700

29227 The Invention of Printing T.L.deVinne Francis Hart –¾9 19,440

30485 ’|“à²–P@@•ó‘D 8,640

30719 Contemporary Art in Print Patrick Elliott 8,640

31920 ¢ŠE”ʼnæ‘åŒn‚R ”Ÿ“ü ’}–€‘–[ º48 3,020

31921 ¢ŠE”ʼnæ‘åŒn‚S ’}–€‘–[ º48 3,020

31922 ¢ŠE”ʼnæ‘åŒn‚T ”Ÿ“ü ’}–€‘–[ º48 3,020

31923 ¢ŠE”ʼnæ‘åŒn‚U ”Ÿ“ü ’}–€‘–[ º48 3,020

31924 ¢ŠE”ʼnæ‘åŒn‚Q ”Ÿ“ü ’}–€‘–[ º47 3,020

32206 SILK-Screen as a Fine Art Clifford T. Chieffo Van Nost.Reinhold,U.S. º42 2,160

32334 ”Å‚ÆŒ^‚Ì”ü@@”ŸŒ‡ ‰ª‘º‹g‰E‰q–å ”üpo”ÅŽÐ º43 2,700

32560 –kì–¯ŽŸ ”ʼn摍–Ú˜^ –¼“ü ‹v•Û’原˜Y ‹v•Û’原˜Y º31 4,100

32749 D'ARIANE A ZOE. ’·’JìŒ‰AƒXƒSƒ“ƒUƒbƒN‚âƒfƒ…ƒtƒB‚ȂǃŠƒg‚Q‚U–‡“ü 194,400

32950 ‰«“ê•—•¨”ʼnæW@ŒÀ’è‚U‚O‚O ‹VŠÔ”ä˜CŽu Šâè‘“X º49 10,800

2155 X‰ªŠ®‰î‘S”ʼnæ 1973-1990 MOK •½2 2,700

2535 ƒAƒ“ƒgƒj[EƒNƒ‰[ƒ”ƒF”ʼnæì•iW ”üpo”ŎЁ@ º54 21,600

2568 ’†‘ŒÃ‘ã–¯‘­”ʼnæ Papiergotzen ‰¤Ž÷‘º Verlag Neue Welt •½3 5,400

3161 SUGAI@›ˆä‹‚@1980 –kìƒtƒ‰ƒ€ º55 7,000

3162 AY-O è͚q ‹{”—ç’ß Œ»‘ã”ʼnæƒZƒ“ƒ^[ º56 9,720

3270 –{‚Ì”ü‚µ‚³‚ð‹‚ß‚Ä ŠÖì ¶–Ø•v º˜ao”Å º54 2,160

3380 BONNAR@ƒ{ƒiƒAƒ‹@–ؔʼnæ‚R} ŒÀ’è‚U‚O‚O•” ‚Œ©àV–ؔŎРº15 14,040

4065 ŒÃ‘‰æ‚̉¿Ši ´…Ÿ ”üp‹äŠy•” º14 2,260

4348 ‚±‚ñ‚¿‚«‚¿‚ñ@–Ø“cˆÀ•F‚̖ؔʼnæ‚ƃCƒ‰ƒXƒgƒŒ[ƒVƒ‡ƒ“ ‹ž“s‘‰@ º53 2,160

4735 ”ˆ¤õ “•ûŽuŒ÷ ”’ˆä‘–[ º23 7,560

4800 Îˆä’ߎO”ʼnæW ”Ÿ“ü Œ`ÛŽÐ º53 6,480

5002 Ä“¡´”ʼnæW u’kŽÐ º32 7,020

5214 ƒ~ƒ@ƒŠƒgƒOƒ‰ƒt‚P@@@•§•¶ Maeght 43,200

5835 ‹îˆä“N˜Y‚Ì“º”Å‰æ ‰Í‡°¶ •Ò Šâè”üpŽÐ º58 3,240

6750 ”ª‹ãŽqì”ʼnæ@‹ž–¼Š ŽRŒû”ª‹ãŽq “¯”Еz‰ï º9 37,800

7168 ”‰æ@“ú–{‚Ì”ü “•ûŽuŒ÷ 5,400

7434 ’¹‚ÌŽl‹G@Î”ʼnæW‚P ã‘º~”V ‘匎”Å‰æ º58 51,840

7435 Ž°i‚µ‚¬j ã‘º~”V ƒGƒbƒ`ƒ“ƒO 37,800

7508 –q–ì@‘¥@–ؔʼnæW@THE WOODBLOCK PRINTS OF MUNENORI MAKINO ˆ¢•”o”Å º62 2,160

7510 –Ø“cˆÀ•F‚̐¢ŠEuŽO\ŽOŠÔ“°v“W –Ø“cˆÀ•F ‹ž“sV•·ŽÐ •½22 2,160

7534 ‚±‚ñ‚¿‚«‚¿‚ñ –Ø“cˆÀ•F ‹ž“s‘‰@ º53 2,160

7537 “ú–{•ËŒ© “ñ‹{Me º47 5,400

7538 ‹ß‘ã“ú–{‚Ì”Å‰æ ¬–ì’‰d ŽOÊŽÐ º46 9,180

7541 –²‚ƐFÊ‚Ì•Ï‘t‹È@‰i£‹`˜Y‰æW@ ƒrƒbƒOŽÐ ¬Š}Œ´LW º56 2,160

7542 “ú–{‚̏‘•[ •¶‰»o”Å‹Ç º57 3,240

7553 ‹VŠÔ”ä˜CŽu‚ª‰«“ê‚ɂ‚¢‚Ä’¤‚Á‚ÄŒê‚é–{ ‹VŠÔ”ä˜CŽu ‚Ý‚â‚´‚«‘“X º57 2,160

7555 ‚݂ȂƐ_ŒË‚̃mƒXƒ^ƒ‹ƒWƒA@@@”ʼnæ‰Æ@ì¼‰p‚̐¢ŠE@@_ŒËŽsŽó‘¡‹L”O“W _ŒËŽs º54 2,700

7557 Fü‚è@–¾Ž¡“Œ‹ž–¼ŠŠG@ˆäãˆÀŽ¡‰æ ˆäãˆÀŽ¡‰æ Špì‘“X º56 10,800

7560 •½’ˉ^ˆê”ʼnæì•iW •½’ˉ^ˆê “¯”üˆóü º50 2,160

7561 •½’ˉ^ˆê‚̐¢ŠE@@UN-ICHI HIRATSUKA Š¢—“´ º54 2,160

7640 º51 2,160

7657 Žl‹G‚Ì‚½‚Ì‚µ‚݁@¼—mœ”v@ƒgƒ‰ƒ“ƒv ìãŸ¶ “ñŒ©‘–[ º49 5,400

7658 ‚ï‚°‚ê‚·@@‚¢‚ë‚͐l•¨ ìãŸ¶ Ÿ·‘–[ º49 3,780

7662 ‚©‚Ú‚¿‚á‚Æ•—‘D‰æ”Œ@@ˆ¤‚ÆŒ¶‘z‚̔ʼnæ‰ÆE’J’†ˆÀ‹K‚̐¶‚ÆŽ€‚Æ ‹g“c˜a³ “Ç”„V•·ŽÐ •½10 3,780

7663 ’·’JìŒ‰‚̐¢ŠE@@ã’†‰º ‰Ž“n‹I‘ãŽq —L—ד° •½9 4,860

7872 •½15 2,160

7873 “º”‰eˆó@@ŠHŽq‰€‰æ•ˆ 6,480

7874 •½19 2,160

8008 ‹ß‘ã“ú–{”ʼnæ‘åŒn@‘SŽOŠª@ –ˆ“úV•·ŽÐ º50 54,000

8054 –ؔʼnæ‚Ì‹Zp@‰p•¶ ƒgƒD[ƒ‰E ƒ‚ƒCƒ‰ƒlƒ“ •½11 8,640

8406 INTRODUCING LINOCUTS@‰p•¶ Jane Elam Batsford 2,160

8451 ‰ÁŽR–”‘¢‘S”ʼnæW1955-1984 •½–}ŽÐ º59 2,160

8495 Ž‰æW@‚¨‚ñ‚È/‚¨‚Æ‚± ƒ”ƒFƒ‹ƒŒ[ƒk º55 102,600

8775 ‹ñ—ñˆÉŽ‰ð–UŒP–֐} ¼‘º‹é–¾æ¡ –¾9 37,800

8833 ˜Dvì•i–؍‘}}‘I@@@’†•¶ ‚M •Ò •½12 2,700

8856 “ø‚̉ԕ²@“Á•Êˆ¤‘ –{ –xŒû‘åŠw ‘å–åo”Å º48 8,640

9143 ƒ‹ƒI[‘S”ʼnæ@ŒÀ’è”Ł@‘S‚Qû Šâ”g‘“X º54 64,800

10620 LE CID@@@@ƒŠƒg‚Q‚S“_“ü 102,600

11078 “ú–{ŒÃ”ʼnæW¬ “ޗǍ‘—§”ŽŠÄ ’}–€‘–[ º59 129,600

11086 ‚ï‚°‚ê‚·‚¢‚ë‚͐l•¨ ìãŸ¶ “Œ•ô‘–[ º50 16,200

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