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16072 Vï‘叠—Œ`‘å‘S@@@‘S‚Uû Îˆä™ÇŽO˜Y –”ŠÔˆÀŽŸ˜Y –¾30 32,400

16105 Œj—£‹{@@ŽÊ^E‰ª–{–Î’j ‘º“cŽ¡˜Y‘¼ŠÄ –ˆ“úV•·ŽÐ º57 5,400

16110 ‘•â@“ú–{ŒÃŒš’z}˜^@‘S‚Qû “¡Œ´‹`ˆê ‹ž“s‘‰@ º41 5,400

33079 ‹ž“s‚Ì–¯‰Æ@@’²¸•ñ‘æˆêû ‹ž“s•{‹³ˆÏ º41 5,400

37233 –@—²Ž›•ó‘ ¬‹à“º‘œ “càV’R‘¼•Ò Šâ”g‘“X º29 6,480

37302 “Þ—ÇŒ§•¶‰»à‘SW@‚P`‚W@‚Wû Œv‚Wû “Þ—ÇŒ§‹³ˆÏ º37 23,760

37347 Žl“V‰¤Ž›}˜^@@@‘S‚Rû “VÀrˆê Žl“V‰¤Ž› º17 29,160

37352 “ŒŽ›—ì•óW ‹³‰¤Œìš Ž› º16 8,640

37374 Š™‘q’¤}˜^@‰ü»–{ “ޗǒ鎺”Ž º8 37,800

37435 ¬’؃E‹é@’ljÁ‹¤“ñû 19,440

37477 Ã‰ªŒ§Žw’蕶‰»à ‰ž‰êŽ›–òŽt“°•Û‘¶C—HŽ–•ñ‘ •ñ‘ Ã‰ªŒ§ •½4 7,020

37479 “y²_ŽÐ–{“a •¼“a‹y‚Ñ”q“a ŒÛ˜O•Û‘¶C—HŽ–•ñ‘ ‚’mŒ§ “y²_ŽÐ º62 12,960

37483 ‹Œ•Ä’J‰ÆZ‘îC—HŽ–•ñ‘ “ޗǍ‘—§•¶‰»àŒ¤‹†Š •½6 5,400

37484 •“c‰ÆZ‘îC—HŽ–•ñ‘ @ •xŽRŒ§ º50 6,480

37485 ”ª‘ã‰ÆZ‘îC—HŽ–•ñ‘ @ ŽR—œŒ§ º52 5,400

37612 d—v•¶‰»à‚P`‚U@’¤‚P`‚U Œv‚Uû –ˆ“úV•·ŽÐ 5,400

39255 —ùŠ¢@Œš’z‚̃fƒUƒCƒ“@@•§•¶@@LA BRIQUE architecture et design ANTHESE@ ‚P‚X‚X‚R”N 8,640

39338 ƒWƒ‡ƒ‹ƒ_ƒ“ˆê‰Æ‚ÌŒš’z@•§•¶@ ArletteBarre-Despond REGARD 5,940

39362 Jean Gorin@‰p•¶ ‚P‚X‚W‚T”N 10,800

39545 •§jƒ[ƒ}Žž‘ã‚ÌŒš’z@L'ART ROMAN@Encyclopedie des styles Premiere serie 16,200

41582 ‘D‰®Œ`C—HŽ–•ñ‘ ­Ä‚¯ _ŒËŽs º55 7,560

42339 V”@’I—Œ` 5,400

42873 Œš’zHŒ|‰æŠÓ@‘æ‚QŠú‘æ‚QA‚RA‚XA‚P‚S`‚Q‚OA‚Q‚QA‚Q‚SS@@@Œv‚P‚Qû ‰ª–{’è‹g•ÒS Œš’zHåY‹¦˜ð ‘å3 7,560

44865 VŽ[@•§‘œ}ŠÓ@Š® ˆÉ“¤—G–@•ÒŽ[ º8 6,480

47029 “ú–{Œš’zŽj}˜^@”ò’¹“Þ—Ç•½ˆÀ “VÀrˆê ¯–쏑“X º8 9,720

48540 ƒAƒ“ƒgƒjƒIEƒKƒEƒfƒB@@“Æ•¶@ANTONI GAUDI@(1852-1926) ‚P‚X‚W‚V”N 7,560

48890 “ú–{‚Ì•§‹³’¤@@@@@“Æ•¶ von Karl ‚P‚X‚Q‚Q”N 8,640

49091 –@—²Ž›‹à“°ç׉ގO‘¸‘œ “càV’R‘¼•Ò Šâ”g‘“X º24 8,640

49092 Žl“V‰¤Ž›}˜^@ŒÃŠ¢•Ò “VÀrˆê Žl“V‰¤Ž› º17 5,400

49097 Œä•¨‹à“º•§@@@@@@ –ìŠÔ´˜Z •Ö—˜“° º27 86,400

17777 ŒÃŒš’z‚̍ו”•¶—l@@@@ ‹ß“¡–L•Ò Œõ‘º„ŒÃ‘‰@ •½1 9,720

17852 ƒSƒVƒbƒN ƒXƒeƒ“ƒhƒOƒ‰ƒX@‰p•¶@GOTHIC STAINED GLASS@‚P‚Q‚O‚O`‚P‚R‚O‚O ‚P‚X‚W‚T”N 9,180

18748 sculpture in the netherlands germany france spain :1400-1500 ‚P‚X‚U‚U”N 8,640

18750 ƒhƒiƒeƒbƒ‚Ì’¤@@@@‰p•¶ ‚P‚X‚U‚R”N 7,020

18864 “Œ‘厛ŠJ“c}@‘å“ú–{ŒÃ•¶‘ ‘å“ú–{ŒÃ•¶‘ “Œ‹ž‘åŠw º40 48,600

18867 ³‘q‰@‚ÌŠyŠí “¯Ž––±Š•Ò “ú–{ŒoÏV•·ŽÐ º42 15,120

19343 The EARLY WOODEN TEMPLES@OF CHAMBA@‰p•¶ ‚P‚X‚T‚T”N 7,020

20014 ˆÌl‚̉Ɓ@‰p•¶@HOMES OF THE GREAT ‚P‚X‚U‚V”N 6,480

20179 š¢’ՏŸŽOì•iW š¢’ՏŸŽO º43 9,720

20339 d—v•¶‰»à –{‹»Ž›ŽOŒõ“°EŠJŽR“°C—HŽ–•ñ‘ •ºŒÉŒ§“òèŽs –{‹»Ž› º60 9,720

20747 ŽjÖ@‹Œ’|“c‘‘i•ê‰®‘¼‚Q“jC—HŽ–•ñ‘ º58 8,640

21004 ƒtƒ‰ƒ“ƒX‘吹“°‚ÌŒõ‚ƐF@Licht und Farbe aus Frankreichs Kathedralen@“Æ•¶ 7,560

21172 d—v•¶‰»à ‰©”~‰@–{“°•ŒºŠÖC—HŽ–•ñ‘ ‹ž“s•{‹³ˆç’¡ º51 8,100

21180 ŠÖ“Œ’¤‚ÌŒ¤‹† ‹v–쌒•Ò ›{¶ŽÐ º39 15,120

21182 Œj—£‹{’ƒŽº“™®”õ‹L˜^@–{•¶•Ò ‹{“à’¡ •½4 16,200

21593 Š}’u‹G’jì•iW “¯WŠ§s‰ï º54 5,400

21603 –òŽtŽ›@@@@@@â–{–œŽµA ’¬“cbˆê ŽÀ‹Æ”V“ú–{ŽÐ º35 5,400

21852 ‰p‘ƒXƒeƒ“ƒhƒOƒ‰ƒX‚Ì—ðŽj@‰p•¶@HISTORY OF ENGLISH GLASS-PAINTING ‚R‚S~‚Q‚Q ‰p•¶ 16,200

22183 ‹žx–¯‰Æ•ˆ ³‘± Šâˆä•r•Ò •Ö—˜“° º6 27,000

22378 ‹ž“s–¼‰€‹L@@@@@@‘S‚Rû ‹vPCŽ¡ ½•¶“°VŒõŽÐ º42 10,800

22393 LES CHATEAUX DE LA LOIRE 27,000

22394 ’뉀‚­‚è‚Ì‹Zp@‰p•¶@THE ART & CRAFT of GARDEN MAKING 27,000

22395 ‰p‘ƒ‹ƒlƒbƒTƒ“ƒX‚ÌŒš’z@ARCHITECTURE OF THE RENAISSANCE IN ENGLAND ‘æˆêŠª 41,040

22396 Œš’zŽ @THE ARCHITECT ‰p•¶ 19,440

22397 ƒoƒƒjƒ@ƒ‹Eƒz[ƒ‹Œš’zW@THE BARONIAL HALLS AND Picturesque Edifices of England. 54,000

22398 ƒ`ƒƒ‹‚Ì”üp@”ü‚µ‚¢Žº“à‘•ü@KUNSTSCHATZE AUS TIROL 37,800

22400 ‰p‘ƒ‹ƒlƒbƒTƒ“ƒX‚ÌŒš’z 64,800

23280 ˜a•—Œš’zGˆ@‘º–ì“¡Œá‚̏Z‘’zïW Œš’zïW ‹ž“s‘‰@ •½6 19,440

23290 ŽÐŽ›@@@@@Œjr•vŽB‰e “¡“‡ˆåŽ¡˜Y Œõ‘º„ŒÃ‘‰@ º56 5,400

23731 “ñãUé“ñ‚ÌŠÛ‚Ì’ë@‹ž‚Ì’ë‚ð„‚é ‹ž‚Ì’ë‚ð„‚é 27,000

24080 –¾Ž¡‰Šú‚Ì—m•—Œš’z Œ@‰zŽO˜Y ¬’r•¶Žµ º4 16,200

24134 Œ»‘㌚’z@ARCHITECTURE CONTEMPORAINE@Construction et Dexoration@•§•¶ 27,000

24537 â‘㎊›’Ÿ ¸åYo”Å ‘å8 70,200

24744 –LŒã–ŠRÎ˜Å‚ÌŒ¤‹† ‹ž“s’éš ‘å›{ ‘å14 8,640

24786 The House of God ‰p•¶ •½2 7,020

25469 “ú–{‚Ì’ë@–¼‰€•ÒAì’ë•ÒE‘fÞ•Ò@‘S‚Qû dXŽO—æŠÄC –ˆ“úV•·ŽÐ º50 7,560

25521 “Œ—mŒš’z‚ÌŒ¤‹†@ã‰º‚Q™e ˆÉ“Œ’‰‘¾ —´‹áŽÐ º20 12,960

25625 The Development of the American Modern Style Deborah Frances Pokinski UMI Research P º59 9,180

25986 The World Atlas of Architecture ‚P‚X‚W‚S”N G.K.Hall&Co. 16,200

27050 “ú–{ŒÃ“•Ší‘åŠÏ Îì–FŽŸ˜Y •Ö—˜“° º6 108,000

27061 Campus Planning and Design Architectural Record McGraw-Hill Education 10,800

27323 ”üpŒ¤‹†Žj—¿‘æ˜ZS •x‹MŽ›•Ç‰æ ”üpŒ¤‹†Š ‘SŽl\”ª–‡ º13 37,800

27430 Žº’¬Žž‘ã’뉀Žj@@@@ ŠOŽR‰pô Žv•¶Št º48 9,720

27572 “ì“s\‘厛‘勾@“Œ‘厛‘勾 “Œ‹ž”üp›{Z ‘å’ˍIåYŽÐ º7 12,960

27573 “ì“s\‘厛‘勾@¼‘厛‘勾 “Œ‹ž”üp›{Z ‘å’ˍIåYŽÐ º8 12,960

27626 “Œ‹žŒ€ê •\Ž†‚µ‚Ý—L ‘å—Ñ‘g º5 12,960

27865 “ú–{‚ÌŽ› “y–匝‘¼ŽB‰e ”üpo”ÅŽÐ º44 5,400

27930 ƒtƒ‰ƒ“ƒNEƒƒCƒhEƒ‰ƒCƒg@Frank Lloyd Wright@Architect@‰p•¶ Terence Riley MoMA N.Y. 7,020

27931 ƒtƒ‰ƒ“ƒNEƒƒCƒhEƒ‰ƒCƒg‚ÌŽdŽ–@‰p•¶ Bramhall 5,400

27935 ‹ž‚̐”Šñ‰® ã–ì•xŽO ‹ž“s‘‰@ •½4 16,200

28293 “ú–{”ü‚ÌŒ¹ò ‚‘ºŒõ‘¾˜Y ’†Œö”ü º47 7,560

28499 ƒ”ƒ“ƒ_[ƒŠƒbƒq@@’¤@@@@Paul Wunderlich@Skulpturen und Objekte H.Spielmann Volker Huber 17,280

28815 Vï@“ú–{’ë‘¢}–Ê•SŽí‹y‘´à–¾@‘S ™–{•¶‘¾˜Y Œš’z‘‰@ ‘å8 8,640

29462 ò“y‹³ŠG‰æ@@‹ž“s‘—§”Ž•¨ŠÙ •½–}ŽÐˆóü º50 15,120

29533 –@—²Ž›‹à“°•Ç‰æW@‰ðà•Êû•t “¯Š§s‰ï •Ö—˜“° º26 70,200

29846 ˜`‚̂Ђ©‚è –@—²Ž›•ó•¨}˜^ ç‘’è’©•Ò ‘”•¶“°–{“X –¾26 27,000

30229 THE ART AND ARCHITECTURE OF ANCIENT GREECE John & Dorig Harry N. Abrams º42 12,960

30855 “ñžŠ—£‹{@ŒäŽÊáÁ‹yŽÀ‘ª} ìã–MŠî º7 91,800

32183 ƒoƒEƒnƒEƒX@The Bauhaus@Weimar, Dessau, Berlin, Chicago ‚P‚X‚U‚X”N ‘¢Œ`ŽÐ 23,760

32210 Adolf Loos Pioneer of Modern Architecture Ludwig; Kunstler, Gustav Munz Frederick A. Praeger º41 8,100

32217 ¢ŠEŒš’z‚Ì‹  ‘S‚P‚PŠª ‰p•¶@The Masters of World Architecture Series Complete 11 Volume Set ‚P‚X‚U‚O”N 18,360

32347 ƒAƒ‹ƒlEƒ„ƒRƒuƒZƒ“@‰p•¶@@ARNE JACOBSEN TEFaber Hatjie 12,960

32819 ’ª—ˆ’Ÿ@@—´’J‘¸—RŠO‘è –{”h–{ŠèŽ› ‘å14 28,080

33099 Italian Stained Glass Windows G.Marchini T & H 10,800

2510 Glass Houses May Woods & Arete Swartz Warren Rizzoli 5,400

2534 Antiques ƒˆ[ƒƒbƒp‰Æ‹ï‚Ì—ðŽj ’|“c—m‘¾˜Y–ó ¼—m–¯Œ|ƒNƒ‰ƒu 5,400

2916 ŒÃŒš’z‘•ü•¶—lW¬@‘–Ø•Ò ‹ß“¡–L Œõ‘º„ŒÃ‘‰@ º47 6,480

2972 ƒtƒ‰ƒ“ƒNEƒƒCƒhEƒ‰ƒCƒg‚̏Z‘î@ “ñìK•v•Ò A.D.A.Edita Tokyo •½9 18,360

2991 ‚f‚`ƒA[ƒLƒeƒNƒg‚W@ˆÀ“¡’‰—Y “ñì K•v A.D.A.Edita Tokyo º62 5,400

3001 ‚“c”ŽŒúì•i ’¤‚Æ‘f•` ‚“c”ŽŒú ‹—´“° º53 5,400

3023 ˆÓ W¬ ”Šï‰®Œš’z@³‘±‚Qû ŽR•ÐŽO˜YŠÄC –ˆ“úV•·ŽÐ º50 5,400

3318 ƒIƒbƒg[EƒVƒ…ƒ~[ƒ‰[@“Æ•¶@Der Kunstschmied Otto Schmirler ‚P‚X‚V‚U”N Wasmuth Ernst Verlag 5,400

3338 ABITARE ANNUAL 15 Rotovision •½13 8,640

3404 Contemporary Italian Furniture Design Cristina Morozzi L'archivolto •½12 6,690

3766 ‘•ó’¤‘œ @ â–{–œŽµEãŒ´ºˆê “¿ŠÔ‘“X º42 5,400

4097 ‚‘ºŒõ‘¾˜Y‘IW@@@@‘S‚Uû ‹g–{—²–¾‘¼•Ò tHŽÐ º56 6,480

4879 Œ»‘㌚’z‚̃Xƒeƒ“ƒhƒOƒ‰ƒX “ú–{•Ñ‚Q ¼‘ºŒö˜Y ‹ž“s‘‰@ •½4 5,400

4946 ‘•ó@–¼ŒÃ‰®é”üp}˜^@b‰³ ‚Qû ’鎺”Ž•¨ŠÙŽB‰eE•ÒŽ[ –¼ŒÃ‰®ŠÏŒõ‹¦‰ï º6 5,400

49900 ‹»“a”‹L@‹»³Ž›Žj—¿W@ã “¯•üŽÉ º52 5,400

5397 “ú–{Œš’zŽj}˜^@Žº’¬ “VÀrˆê ¯–쏑“X º11 9,720

5788 Marino Marini@@•§•¶ º36 5,940

5789 Marino Marini Pierre Case Skira •½12 12,960

5791 Miro sculptures. Par Alain Jouffroy et Joan Teixidor Maeght editeur º48 8,640

5819 Evariste Jonchere@•§•¶ Roger Gain Adam Biro 10,800

5899 Crete And Mycenae Marinatos S Thames and Hudson º35 5,400

5901 Naissance de la civilisation en Grece. Tome I & Tome II Zervos, Christian Cahiers d"Art º38 21,600

6103 ‚‘ºŒõ‘¾˜Y@@‚‘º‹KŽB‰e ‚‘º–LŽü‘¼•Ò ’}–€‘–[ º32 7,020

6325 ‚‘ºŒõ‘¾˜Y‘IW@‘S‚Uû ‚‘ºŒõ‘¾˜Y ’†‰›Œö˜_ŽÐ º26 5,400

6961 –­SŽ›‘åŠÏ “¯•ÒŽ[ˆÏˆõ‰ï –­SŽ›”h@–±–{Š º47 17,280

7478 ƒAƒWƒA‚Ì•§‘œ@@‘S‚PŠª‚Q•ªû Šâ‹{•“ñ W‰pŽÐ •½1 27,000

8126 “ú–{’뉀Žj}ŠÓ‚P‚O@]ŒËŽž‘㏉Šú‚R dXŽO—æ —LŒõŽÐ º12 7,020

8127 “ú–{’뉀Žj}ŠÓ‚W@]ŒËŽž‘㏉Šú‚P dXŽO—æ —LŒõŽÐ º11 7,020

8129 “ú–{’뉀Žj}ŠÓ‚S@Žº’¬Žž‘ã‚Q dXŽO—æ —LŒõŽÐ º13 7,020

8130 “ú–{’뉀Žj}ŠÓ‚Qƒm‰º@Š™‘qE‹g–ì’©Žž‘ã@‰º dXŽO—æ —LŒõŽÐ º13 7,020

8209 “V‘ä—ì‰Ø@@‰¶Ž’‹ž“s”Ž•¨ŠÙ•Ò º12 9,720

8822 —®‹…Œš’z‘åŠÏ “cç²‘× º12 51,840

9014 ˆó“xs‹L@@ˆó“xŒA‰@¸‰Ø•˜^ ÎèŒõê¢ ‘å8 10,800

9874 –؉º”É’¤W@ŒÀ’è”Å ”ü–{ ˜ZåYo”Å º63 8,000

9913 ŒjECŠw‰@@@@‘匴‹v—YŽB‰e ‘º‰ª³‰ðà º35 16,200

10089 ‰^Œc‚Ì’¤ ‹v–ì@Œ’ •½–}ŽÐ º49 27,000

10510 ‚ç‘”üp@@“ޗǍ‘—§”Ž•¨ŠÙ•Ò Špì‘“X º39 15,000

10553 ‚³‚­‚ç‘åŠÏ ²–ì“¡‰E‰q–å ‚µ‚±‚¤‚µ‚á •½2 8,100

10729 ’†‘ŒÃŒš’z‘åŒn@•¶l‰€—ÑŒš’z@Private Gardens@Ancient Chinese Architecture@‰p•¶ Cheng Liyao •½11 21,600

10757 ’†‘Œš’z‚Ì—ðŽj “c’†’W –ó•ÒA •½–}ŽÐ •½–}ŽÐ º56 12,960

10829 d—v•¶‰»à“ñðéC—HŽ–•ñ‘ ‘æ‚TW Œ³—£‹{“ñðé Ž––±Š º51 8,000

10830 d—v•¶‰»à“ñðéC—HŽ–•ñ‘ ‘æ‚UW Œä‘‰@E‘䏊 EŠå”VŠÔ º59 10,800

10831 d—v•¶‰»à“ñðéC—HŽ–•ñ‘ ‘æ‚VW –{ŠÛŒä“aŒºŠÖ •\Ž†­‚µ‚Ý º61 18,000

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