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68 “ì•Ä”üp‘•ü}W@@‘S‚Q‚X–‡ ŽO‚j‰ï•Ò ŽR–{•¶‰Ø“° ‘å11 12,960

73 ’†š ‹Ñ’bš¤ˆÄ@@@@’†‘Œê ’†‰›”üp›{‰@@ ›‰—p”üpŒn º28 12,960

16030 ‚©‚·‚è Î”Å  8,640

16067 •¶—lW¬@@@@@@‘S‚Q‚TS@ ‘S‚T‚V‚S–‡ Œš’zŠw‰ï ‘å12 194,400

16068 ”E@–Í—l—Œ`@@@@‘S‚Qû ˆäãŸŒÜ˜Y –¾22 19,440

16122 –¼Ší}ŠÓ@@@@@@‘S‚Uû Œ|䇓° 10,800

16148 ƒOƒ‰ƒ}[ƒIƒuƒI[ƒiƒƒ“ƒg@Owen Jones ; Grammaire de L'ornement@•§•¶ Î”Ő }•S“_ –{•¶‚P‚U‚S•Å 102,600

16150 ƒhƒ‹ƒƒbƒ`@¢ŠE‘•ü}•ˆ@ORNAMENTAL TREASURES ‰p•¶ ‘å1 91,800

16151 –¯Œ|‚Ì‘•ü–Í—l@‘S‚Tû@“Æ•¶@ORNAMENTE DER VOLKER ‚P‚X‚T‚T”N Verlag 9,720

33204 ƒˆ[ƒƒbƒp‚Ì‘•üŒ|p@L'ART POPULAIRE EN EUROPE@•§•¶ 37,800

33243 •Ç‰æ‚Ì’†‚Ì•¶Žš@VOM FELSBILD ZUM ALPHABET@“Æ•¶ ‚P‚X‚V‚T”N 19,440

33257 ƒˆ[ƒƒbƒp‚Ì‘•’šŒ|p@Europaische Einbandkunst@@“Æ•¶ ‚P‚X‚V‚O”N 16,200

33265 ƒfƒJƒƒƒ“‚Ì‘}ŠG@@Ten Tales From The Decameron of Giovanni Boccaccio@@‰p•¶ ‚P‚X‚R‚V”N 10,800

33266 ˆó‚Ə¤•W@MARKEN UND SIGNETE@“Æ•¶ ‚P‚X‚T‚V”N 5,400

33308 ”ª‹užê 16,200

33311 ŒÃ§’¥æš@@@@‘S‚Tû ¡ò—Yì Œ|䇓° –¾35 50,000

33337 ¢ŠE–Í—l}ŠÓ@@@@@‘S‚Rû ‰Ío‘–[VŽÐ º29 7,560

33355 ŒÃ‘ã–Í—lW ‰•Ò –n –ؔłP‚P‚S} ‘ëàV´ Œ|䇓° –¾41 5,400

33396 “‡›×–¯‘°}ˆÄW@@}”Å‚R‚S–‡ ‹u³•Û•Ò ’©“ú‘–[ º9 5,400

33419 ‘²‹Æ§ì@}ˆÄãډp ‹ž“sŒ|p‘åŠw ‹ž“s‘‰@ •½2 6,480

33424 ƒCƒ‰ƒXƒgƒŒ[ƒVƒ‡ƒ“Ž–“T@Encyclopedia of Source Illustrations@Morgan& Morgan@‰p•¶ ‚P‚X‚V‚Q”N 12,960

33425 ”Ž¯—Œ`@‰Ô’¹–Í—l@ã’†‚Qû ‹e‰Æ 12,960

33429 “s–ä•S‰Ø@ã 10,800

33440 •ÇŽ†‚Ì—ðŽj@‘S‚Rû@Tapeten@Ihre Geschichte bis zur Gegenwart@@“Æ•¶ ‚P‚X‚V‚O”N 27,000

38143 –¾Ž¡‰Ô’¹‰æ‰ºŠGW¬@ ×–쐳M‰ðà ‹ž“s‘‰@ º56 9,000

38729 “Œ ♑“@‹ž‚̐îŠG “Œ ♑“ ‰hŒõŠÙ º53 6,480

39406 ƒhƒ‹ƒƒbƒ`@“ú–{‚ÌŒ|p@“Æ•¶ H. Dolmetsch ‚P‚W‚W‚U”N 27,000

39495 •§j‹à‹â×H•i@D' Orfevrerie 48,600

39625 ‘•ü}•ˆ@ŒÃ‘ãE’†¢E‹ß‘ã@@ 32,400

40605 ‚¤‚È‚¢‚Ì—F@@@@@‘S‚P‚Oû @@@@@ Œ|䇓° –¾24 237,600

41640 ‘•ü’²“x•i}W@@FRILING,Ornamentale Ideen@@@@“Æ•¶ 5,400

41646 ƒ‚ƒƒbƒR‚Ì‘•ü@@LA DECORATION MAROCAINE@@•§•¶ 19,440

43340 “ú–{õD•¶—lW@‘S‚Rû@‰p•¶@ º48 8,640

44684 ˜aŠ¿@‰—ú–Í—l •ž•”“ÐŽO•ÒS ’†Ž•¶¹“° ‘å16 19,440

44991 “ƁjV‚µ‚¢“S‚ÌŒ|p@Neue Schmiedeformen 6,480

45193 ƒhƒ‹ƒƒbƒ`@‘•üW¬@@Der Ornamentenschatz@Ein Musterbuch @Stilvoller Ornamente@Aus Allen Kunstepochen@“Æ•¶ 48,600

47056 ‘}ŠG“ü‚‚Â莚‹³–{ “º”ōü ‰p•¶@ 9,180

47174 ‚»‚̘Ԏg‚Ö‚éŠG‚ÆŽÀ—p}ˆÄ•¶Žš \Žž–ög ‹ß‘㕶åYŽÐ º2 7,020

47621 ‘•ü}•ˆ@ŒÃ‘ã@@“ƁE•§E‰p•¶@ 10,800

47629 ‚Þ‚©‚µ“nXŽÑ@‘S‚Rû@ ŽRŽ­¸‰Ø Œ|䇓° ‘å6 54,000

47645 ‚Þ‚·‚Ñ–Í—l@ã‰º ‰ÍŒ´èW“´ Œ|䇓° º8 37,800

48180 ‚Þ‚©‚µ“nXŽÑ@@@@@‘S‚Rû ŽRŽ­¸‰Ø Œ|䇓° º40 12,960

48273 ‰p‘‚ƃAƒƒŠƒJ‚Ì‘}ŠG@Modern BOOK ILLUSTRATION in Great Britain and America@‰p•¶ ‚P‚X‚R‚P”N 5,400

48545 ¼ƒˆ[ƒƒbƒp‚Ì‘•ü•¶—l@PATTERN@A Study of Ornament in Western Europe, 1180 to 1900@‰p•¶ Joan Evans Oxford At The Clarendon Press 5,400

49087 GRAMMAR OF ORNAMENT@ƒOƒ‰ƒ}[ƒIƒuƒI[ƒiƒƒ“ƒg@‰p•¶ ‚P‚X‚V‚Q”N 6,480

17626 “Œ—m•¶—lŽj “n•Ó‘fM •yŽR–[ º46 10,800

17988 ƒCƒ^ƒŠƒAƒ“Eƒ~ƒjƒAƒ`ƒ…[ƒ‹@ITALIAN MINIATURES@‰p•¶ Abrams ‚P‚X‚T‚S”N 5,400

18111 ŒäŠ‰ð–Í—l@˜a‘•@@ã‰º‚Qû ‘åŠâ‰Ãˆê˜Y ¼‹gœ\ŽO˜Y ‘å13 7,340

18144 ¹‘‚̃Aƒ‹ƒtƒ@ƒxƒbƒg@TEhouHh-BLUMEN.@BIBLISCHES ALPHABET@in XXII@“Æ•¶ 41,040

18887 ƒA[ƒ‹EƒfƒR‘•ü•¶—l ‚Q•ªû ŠwŒ¤ º55 6,480

18927 ƒ‰ƒVƒl@¢ŠE‘•ü}W¬@ãŠª@ ‚P‚W‚V‚T”N 129,600

18931 ƒOƒ‰ƒ}[ƒIƒuƒI[ƒiƒƒ“ƒg@‰p•¶ OWEN JONES 918,000

18934 ORNEMENTS TURCS@@@ •§•¶ •§•¶ ‚P‚W‚X‚R”N 129,600

18935 ORNEMENTS ARABES@@@•§•¶ •§•¶ ‚P‚W‚X‚R”N 162,000

18936 ORNEMENTS VENITIENS@ •§•¶ 162,000

18965 “ú–{õD•¶—lW@@@@‘S‚Rû º34 5,400

18966 ¢ŠE‘•ü}•ˆ@@@@@‘S‚Sû ŽOˆê‘–[ º49 9,720

19388 ƒXƒEƒF[ƒfƒ“‚Ì‘•ü”üp@The Decorative Arts of Sweden@‰p•¶ ‚P‚X‚S‚W”N 6,480

19446 ƒVƒFƒCƒNƒXƒsƒA}‘ŠÙ‘ @‘•’š–{@FINE AND HISTORIC BOOKBINDINGS ABRAMS ‚P‚X‚X‚Q”N 12,960

20206 ³‘q‰@‚Ì•¶—l Œã“¡Žl˜Y•Ò “ú–{ŒoÏV•·ŽÐ º60 19,440

20331 •ó‚­‚µ@ã‰º‚Qû ‰ÍŒ´èW“´ Œ|䇓° º10 129,600

20332 Ê‰Ø@‘S‚RŠú@‚U‚O‚R–‡‘µ Ê‰ØŽÐ ‘å13 194,400

20364 ¢ŠE•¶—lW àV“c½ˆê˜Y•Ò Œ|䇓° ‘å4 9,720

21020 “ú–{‘•ü‘åŠÓ@@@‘S‚Tû ‰Í粐³•v•ÒS Œ|䇓° ‘å4 86,400

21140 ’…•¨}ˆÄ@@@›ã“ü@’Ž‹ò—L 32,400

21605 ‰ÔüƒfƒUƒCƒ“W¬ õD•¶‰»Œ¤‹†‰ï ‹ž“s‘‰@ º63 5,400

23549 “àŠO•¶—l—ޏW@@@‘S ‚P‚Oû ‰ÍŒ´è§“°•Ò Œ|䇓° º54 12,960

24230 ’WÊ•S‰Ô@t‰Ä@H“~@‘S‚Qû “c’†‹g”V• ”ª•ó“° º39 19,440

24922 ‰Ô’¹ƒfƒUƒCƒ“W¬@ã õD•¶‰»Œ¤‹†‰ï ‹ž“s‘‰@ •½1 6,480

25977 ƒtƒ‰ƒ“ƒX—«•žüŽj@•§•¶@L'Histoire du Costume Feminin Francais 102,600

26188 ‚d‚r‚p‚t‚h‚r‚r‚d‚r@‚c‚d‚b‚n‚q‚`‚s‚h‚u‚d‚r Rene Binet 162,000

26192 WORKS OF ART@IN THE COLLECTIONS OF ENGLAND 102,600

26895 The illuatrated book of canaries and cage-birds,british and foreign 37,800

27047 }ˆÄŽw“±‘åŒn •ˆäŸ—Y‘¼ ›{Z”üp‹¦˜ðo”Å•” º11 9,180

27179 –žŽx}ˆÄ¸‰Ø‘听@‰ðàŒ‡ ˆÁŒ´æ‹ ŽOÈ“° º11 70,200

27596 “‚‘–ä—l}ŠÓ@@“`³–ä–¬ ‹g–{ ‰Ã–å ƒOƒ‰ƒtƒBƒbƒNŽÐ º52 5,400

27780 “Œ—m}ˆÄ•¶‰»Žj‚ÌŒ¤‹† “n粑fM •yŽR–[ º26 8,640

27803 ‚n‚q‚m‚`‚l‚d‚m‚s • ‚i‚d‚v‚d‚k‚k‚d‚q‚x ‚jD‚a‚…‚Ž‚„‚ ‚P‚X‚U‚V”N 7,560

27958 Great Magazine Covers of the World P. Frantz Kery Random House º57 5,400

28220 ‚±‚¤‚è‚ñ–Í—l@ã‰º@@‘S‚Qû ŒÃ’Jg—Ù Œ|䇓° •½3 21,600

28486 ‚Í‚È‚ª‚½@–¾Ž¡‚Ì•žü•¶—l ƒ}ƒŠƒA‘–[ º63 10,800

28615 ‚Í‚ñ‚¦‚蕶—lƒfƒUƒCƒ“W¬ ƒV[ƒOŽÐo”ÅŠ”Ž®‰ïŽÐ ‹ž“s‘‰@ º60 5,400

28670 Œ»‘ã“ú–{‚̈ߏ @vol.‚P ‚«‚©‚ ‚«‚悵 ARTBOXƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹ •½16 5,400

29121 —Œ`‚â‚Ö‚É‚µ‚« ‹gìŠÏ•û ‹ž“s¸”ňóüŽÐ º5 8,640

29417 ŒÃ‘ã“‚‘–Í—lW@‘S@–ؔōü –¾18 32,400

29429 “ú–{–¼‰æ@ŒÃ‘㕶—l—ޏW@›ã“ü “c’†–Έê•Ò Œ|䇓° º42 5,400

29615 D•¶—ÞŽ[¦@@@@@‘S‚P‚Oû ’éš ”Ž•¨ŠÙ —L—ד° –¾25 1,026,000

29670 VŒäŠ–Í—l‚T@@@ÊF–ؔŐ  ŽR–{áŒj Œ|䇓° º10 41,040

29847 ”g–äW@@@@@@@@‘S‚R™e X—YŽR Œ|䇓° º50 10,800

29863 ’WÊ•S‰Ô@H“~@‚Pû “c’†‹g”V• ”ª•ó“° º40 10,800

30451 “ú–{‘•ü‘åŠÓ@V”Å ‰Í•Ó³’j Œõ‘º„ŒÃ‘‰@ º50 5,500

30657 “Þ—¯”ü‰Á‘½@‘S‚Tû@‰”Å ¬“cØt]•Ò •Ð–ì“ŒŽl˜Y –¾16 48,600

31869 ‹gË•¶—lãڐ¬@•Ÿ˜\Žõ ‰æE’†‘º‰ë–F ƒtƒWƒA[ƒg º59 7,000

32813 ‚Í‚È‚ª‚½@@@@@@@‘S‚Sû ŽR‰ºŒõ™A –{“cŽsŽ¡˜N –¾32 378,000

32818 ç”gäݔg@ã‰º@@@@‘S‚Qû ’|‰º‹à‰G “à“c”üp‘ãæ º10 73,440

33084 COLOUR in interior decoration Holmes, John M. The Architectural Press º6 6,480

33105 Images dans le ciel belles enseignes Rene Creux º37 8,640

33111 AFRICAN MAJESTY ‰p•¶ Peter Adler T & H •½4 7,020

33143 ORNAMENTE DER VOLKER ‚P‚X‚T‚T”N Verlag 10,800

33148 ornament dekor und zeichen H.Wolfgang Verlag der Kunst Dresden 6,260

2359 BOUQUETS JEAN LOUIS Macdonald 6,480

3047 ŒÌŽÀ‘p‘@D•¶}‰ï@ŒäK•”Œã•Ò ŒÌ›‰‘p‘ –¾ 8,100

3067 “ú–{ŒÃ‘ã–Í—l @@‘S‚Tû@ X —YŽR ‰æ Œ|䇓° –¾38 32,400

3072 V‘IŒÃ‘ã–Í—lŠÓ @“VE’n‚Qû@ ‘å‘q‘·•º‰q –¾17 32,400

3393 Australian Aboriginal Paintings Jennifer Isaacs New Holland Publishers; illustrated edition 5,400

4166 ³‘q‰@Ž®•¶—lW@@@ @ 12,960

4551 “ú–{õD•¶—lW@@@@‘S‚Rû V‘•”Å u’kŽÐ º55 15,120

4752 ŽR…‰Ô’¹@‘ˆø–Ÿ‰æ @‘æŽO•Ò ˆÀ’B‹áŒõ•Ò Š‹üˆ×Äˆâe 6,480

4753 ŽR…‰Ô’¹@‘ˆø–Ÿ‰æ @‘æŽl•Ò ˆÀ’B‹áŒõ•Ò 6,480

4830 –¼•ó‚Ì•¶—l ˆäKŒõ—Y•Ò ‚Ó‚½‚Ώ‘–[ º48 8,640

4851 •ó‚­‚µ@@@@@@@‘S‚Qû ‰ÍŒ´è§“° Œ|䇓° •½4 16,200

4854 “úŒõ“ŒÆ‹{‚Ì•¶—l â“c˜aò‘¼‰ðà ‚Ó‚½‚Ώ‘–[ º55 15,000

4860 D•¶—ÞŽ[@@@@@@‘S‚P‚Oû ’éš ”Ž•¨ŠÙ•Ò ŽOˆê‘–[ º47 54,000

4896 ŒÃ“T•¶—l‘åŠÓ@î–ʁ@@‘S‚Qû [“c‹`³ ‚Ó‚½‚Ώ‘–[ º53 8,640

4898 ŒäŠ‰ð–Í—l ÊF–ؔŐ  X°i“° º37 7,560

4901 ’¹—ގʐ¶}•ˆ@‘æ‚RW ‚µ‚±‚¤‚µ‚á •½3 8,640

4933 ŠÓŒÃ—ÞŽ[ ]”ni•Ò ƒ}ƒŠƒA‰æ–[ º13 6,480

5058 •ó‚­‚µ @‘S‚Qû ‰ÍŒ´èW“´ Œ|䇓° º10 73,440

5190 “V”N•S’߁@@@@‘S‚Rû ŠCŠO“V”N ŽR“cŒ|䇓° –¾33 162,000

5206 ’·ŠÕ‰ë˜^@‘æŽO™É “c‘ºŒõ•ô ¡“V–€“° 81,000

5209 ’± ‰ÍŒ´èW“´ “à“c”üp‘ º8 70,200

5776 ‹e‰Ô•¶—l}à@ õD•¶‰»Œ¤‹†‰ï•Ò ‹ž“s‘‰@ º36 7,560

6388 ‹ß‘ã‚Ì—Ô”h@_âá‰À åŒ´‹g˜Y•Ò ‹ž“s‘‰@ º56 12,960

6558 •‚¢ŠG¬‘³•S‘I Žë–ìG•ô ”ª•ó“° º58 19,440

6680 ”ªç‘@@@@@@@‘S‚P‚Oû ã–쐴] –{“c‰_‹Ñ“° –¾34 486,000

6681 •‚¢ŠG•¶—l 41,040

6691 õD‘åŠÓ@D@õ@@@Œ³–{‡û ’ҁ@¼‹ª•Ò Œ|䇓° ‘å3 194,400

6806 Žl‹G‰ž—p}ˆÄ•S‘I@‘S‚Sû ‰ÍŒ´èW“´ “à“c”üp º8 270,000

6858 Žu–ž‚µ–@ã‰º ŒÃ’Jg—Ù Œ|䇓° –¾39 102,600

6863 ‚µ‚Ü•SŽï@ã‰º‚Qû@@@ˆó—L ‰ÍŒ´è§ Œ|䇓° º28 48,600

6869 ÛŒ`‰Ô™Á’Ÿ@iˆêj@‰²’O ’JãœA“ì Œ|䇓° ‘å12 324,000

6871 ’¿‰Ô}•ˆ ŽR–¼—FÎ Œ|䇓° –¾38 194,400

7215 “ú–{‚Ì‘•ü@@The Grammar of Japanese Ornament@@‰p•¶ 6,480

8011 ç‘㎆•¶—l ˜•¶¬–¸CŒ« ‹ž“s‘‰@ º54 19,440

8309 ¼—m‘‰Ô}•ˆ@ ‘S‚Tû ’JãœA“ì Œ|䇓° ‘å6 216,000

8667 îŠG–¼•iW …”ö”ä˜CŽu ’WŒðŽÐ º42 5,400

8849 ’†‘}ˆÄ‘åŒn@‘æˆêû ’£“¹ˆê ŽR“Œ”üpo”ÅŽÐ •½6 8,640

8857 Graphische Neuheiten@‚P 21,600

9102 ‰Ø–ä‘åŠÓ@@@@@@@‘SŽOû ‚Ó‚½‚Ώ‘–[ º49 7,020

9103 ƒ‰ƒVƒl@¢ŠE•žüŽj@‘S‚Uû@ 486,000

9106 ŠGŠª•¶—l@@@@@@@‘S‚Qû “¿“c‹`ŽO “à“c”üp º6 59,400

9109 ‚©‚·‚è•SŽï ã‰º šû@“° Œ|䇓° º29 37,800

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